top of page

"Dass Yordanova & Kyurkchiev längst ein erstklassiges Klavierduo sind, zeigten sie gleich damit, wie sie die Ballettmusik "Petrouchka" (1911/47) von Igor Strawinsky in der Fassung für zwei Klaviere kongenial an die Tasten meißelten, ebenso korrekt wie quicklebendig gestaltet."

 

​

"Das Klavierduo beweis in Franz Schuberts Rondo A-Dur op.107 D951 seine gleichfalls vorhandene Kompetenz für die Artikulation und Phrasierung hochromantischer Sanglichkeit."

​

​

"Das Klavierduo behielt auch dort immer die klangliche Übersicht, wo die Musik sich fast im Gestrüpp verliert, besonders in Max Regers prachtvollen Fuge."

​

                                                             Ingo Hoddick

                                                             Rheinische Post, Duisburg

​

 

 

"...in vollkommener Klarheit und Homogenität die differenzierten Charaktere der Themen und Motive energiegeladen und auch nachdenklich lebendig werden ließen..."

​

"...sensibel ausgeleuchtet!"

​

                                                             Roland Dymke

                                                             Westdeutsche Allgemeine Zeitung,

                                                             Oberhausen

​

​

"Contrary to the expected formal mechanical simultaneousness and to the tendency for convergence of individual styles, the two artists interacted creatively and brought forth a new entity. It embodied the individuality of each and produced a richer and more provoking sound with specific polyphonic power and multilayered texture. This approach to co-authoring the performance revealed hidden potentials in the music, added hues and shades, and brought to the ear the effect of orchestra."

​

​

"Their imagination culminated in a spectacular way with The Rite of Spring (1913) by Igor Stravinsky"

​

​

"No other classical duo I have listened to playing The Rite of Spring has ever offered such a radical interpretation which so unconditionally, but also logically, and with such a perfect musical integrity re-examines tradition and creates a different type of entity, a self-contained form..."

​

​

"This was a sound of remarkable force, intensity, vibration which is seldom heard in concert halls..."

​

                                                              Ekaterina Docheva

                                                              Kultura, Sofia

                                                      

bottom of page